CINEMA: The Blind Side
We all love a good old triumph over tragedy story.
Especially those in Hollywood, including the and the Academy, where films depicting paraplegics, alcoholics or those with mental problems who go on to overcome their disabilities or problems regularly win the top gongs.
So, no surprise then that Sandra Bullock won the Oscar for Best Actress this year for her portrayal of feisty white woman Leigh Anne Tuohy who takes a troubled black teenager (Quinton Aaron) into her home and raises him like her own son. He goes on to become an all-American football star, learning to call Leigh Anne ‘mom’.
There’s something very old-fashioned about the film’s structure as we chronologically follow Leigh Anne from the first time she sees mountainous Michael (Aaron) as he’s walking along on a freezing night in nothing more than a t-shirt and shorts, takes him home and slowly helps him to integrate into her family. Michael’s journey from destitute loner to star American football player is meant to be uplifting and so it proves to be although in pretty predictable fashion.
However, there are three things about the movie that do raise it above the standard of usual inspirational movie fodder; three rather wonderful performances. Yes, Bullock really is good here playing against her usual casting (and with blonde hair) with real pep and vim behind her WASP exterior. Then there’s Quinton Aaron who plays gentle giant Michael with great humility and humanity.
Finally, the real accolades must go to Jae Head who plays Leigh Anne’s 10-year-old son S.J. who looks up to Michael as to an older brother, not only becoming his friend but also a mentor to the much bigger boy. The scenes of S.J. negotiating Michael’s contract with seasoned agents are some of the best in the film.



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