CINEMA: Harry Brown
From its very first shockingly explosive scene Harry Brown announces the arrival of a new kid in town.
No, not veteran actor Michael Caine on brilliant form here, but director Daniel Barber whose kinetic style leaps off the screen to deliver a kick to the solar plexus.

Retired marine Harry Brown (Caine) lives on a run-down, grotty estate. Harry is a law-abiding man devoted to his sick wife and best friend Leonard (David Bradley), but his friends’ lives are being blighted by the drugs, violence and thuggery of the local gangs which the police seem incapable of controlling.
Things spiral out of control when Harry’s wife dies and Leonard is viciously murdered by the thugs. With nothing more to lose Harry decides to take matters into his own hands, but what can one OAP do against a whole bunch of hooligans? Quite a lot as it happens, as Harry decides confrontation is better than living a life cowering in fear. As the violence escalates you can almost see Harry growing in stature especially during one extraordinary, extended sequence in a skunk growing factory which takes on an almost alien, surreal quality soaked in menace.
Caine is brilliant here; controlled, understated and very scary.
Unfortunately, Daniel Barber can’t sustain the tension of the film until its rather unsatisfactory ending, but he does enough to show he’s someone to watch out for in the future while Michael Caine just keeps getting better and better.







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