CINEMA: Bright Star
Director Jane Campion proved she’s a dab hand at period drama with The Piano.
And although Bright Star captures the feel and social mores of Hampstead in the 1820s exceptionally well, and features a luminous central performance from young Abbie Cornish, it also lacks the rich texture and detailed plotting of its predecessor.
To a certain extent this is not Jane Campion’s fault but rather the fact the source material deals with one love affair that burned brightly but lasted just two years. Also, the featured lovers, doomed poet John Keats (Ben Wishaw) and the girl next door who stole his heart, Fanny Brawne (Cornish), were very young (he 23 and she just 18) and not especially worldy-wise, so although you never doubt the depth of their feelings for each other there is not the complexity or range of emotions found in a more mature couple.
However, the characters around them do offer some very entertaining distraction, especially Paul Schneider who plays Keats’ larger than life bosom buddy Mr Brown, and Antonia Campbell-Hughes as the maid he impregnates. But the biggest distraction is the way the film looks; shot on location in Bedfordshire in England the countryside is so lush and verdant it could have been taken straight from a Constable painting.








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